20 Movies Featured In Ongoing 2022 Japanese Film Competition

From left: Kanami Namiki (JFF assistant director and software manager), Ben Suzuki (Japan Foundation Manila directo, and Masafumi Konomi (Japan Film Festival manufacturer)


“We aren’t Netflix. Our content is focused on movies no longer seen in massive streaming structures,” stated Ben Suzuki, director of Japan Foundation Manila (JFM), organizer of the Japanese Film Festival (JFF) 2022, that is now jogging virtually until Feb. 27.


“We want to be ubiquitous. We want humans to reach us on every occasion, everywhere. This a completely formidable dream, however we’re slowly reaching this,” Suzuki declared during a current digital media accumulating to announce this version’s lineup.


“Mio’s Cookbook”Encourage discourse


The presscon turned into also attended through JFF producer Masafumi Konomi and JFF assistant director and application manager Kanami Namiki.


“We need to hold a competition sense, to have a gadget that’s different from the subscription systems. This is why we’re website hosting panel discussions, too. We want to encourage discourse among our Filipino target market,” Suzuki declared.


“Aristocrats”


Featured are 20 titles, from bittersweet coming-of-age testimonies to thriller, sci-fi, comedy, documentaries, animation, and heartbreaking ones, Suzuki mentioned. In addition to the screenings, JFM is also hosting a -element loose on line talk event titled “Let’s Talk approximately Japanese Films!” This can also be available to involved participants even outdoor the Philippines.


The first session, “Your Guide to Japanese Films,” featured panelists Daisuke Miyao, Nick Deocampo and movie director Sigrid Andrea Bernardo. Held yesterday, it changed into moderated by means of film critic-educator Tito Valiente.


“It’s a Summer Film!”


The 2nd occasion, titled “Inside the World of JFF 2022 Films,” will feature five younger movie critics namely Skilty Labastilla, Princess Kinoc, Janus Nolasco and Stepanie Mayo; to be moderated by using Richard Bolisay. It might be streamed on Feb. 22 at 5 p.m.


Asked how JFF 2022 intends to promote Japan to Filipinos in this era of virtual screenings, Suzuki said: “The competition offers viewers the threat to revel in and learn Japanese ways and tradition, as the featured films reflect our modern-day society and report people’s lives at certain periods in time. Films are indeed powerful cars for cultural change and bilateral family members.”


“Bread of Happiness”


“This is honestly one crucial attention in our choice of films for the pageant,” introduced Konomi. “In the lineup, there are movies with a view to make you feel like you’re in Japan. You will see the exclusive seasons there, just like inside the films ‘It’s a Summer Film!’ and ‘Bread of Happiness.’ You may even have a ‘flavor’ of what Japan has to provide in terms of culinary art.”


Konomi turned into relating to the length drama “Mio’s Cookbook.” Set in Japan about 2 hundred years in the past. It suggests the bond between Mio, who stakes her lifestyles on cooking, and Noe, who has end up a courtesan (excessive-class geisha) in Yoshiwara, Japan’s largest pink-light district.


“We realize that there are many ramen shops in the Philippines. You may be in a position to watch actual ramen manufacturing in ‘The God of Ramen.’ Imagine the sufficient paintings put in making ramen in Japan,” Suzuki delivered.


“The God of Ramen”


“These days, Japanese movies tend to consciousness on social troubles, but now not within the manner of the Filipino films, within the style of the Japanese,” Suzuki instructed journalists. “Films like the ‘Aristocrats’ strive to reveal show social disparities, which is a totally critical topic in Japan.”


Other titles in the lineup are “Under the Open Sky,” “Masked Ward,” “Awake,” “Ito,” “Time of Eve the Movie,” “Patema Inverted,” “Sumodo: The Successors,” “Rashomon,” “Ozland,” “ReLIFE,” “Her Love Boils Bathwater,” “The Floating Castle,” “Until the Break of Dawn,” “The Chef of South Polar” and “Happy Flight.”


JFF is formerly known as Eigasai and changed into held each July in celebration of the Philippine-Japan Friendship Month.


“We had a lot of challenges last year related to the screening of movies on line. We need to make sure that the pageant will run easily this 12 months. The aim is to offer get admission to to Japanese movies to anybody quite simply. We additionally wish to prepare physical events quickly,” declared Konomi.


To watch and view the whole listing of featured films, visit Japanese Film Festival Online 2022.The hottest entertainment news straight to your inbox


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